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DOROTHY DEHNER “ANGULAR RHYTHM” INK AND WATERCOLOR, 1951 Hans Hofmann oil painting One of Olitski's most radical One of Olitski's most radical reinventions occurred in the mid 1960s when he adopted industrial sprays A preeminent figure in 20th century abstraction A monochromatic wash of vermillion floods the composition Working there she formed a close and enduring friendship with Louise Nevelson
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DOROTHY DEHNER “ANGULAR RHYTHM” INK AND WATERCOLOR, 1951 Hans Hofmann oil painting One of Olitski's most radical

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